Post by Mashiro Satou on Jul 21, 2017 18:42:36 GMT -5
“
Without music, life would be a mistake.
Mashiro was never good with coming up with names. Instead of giving her compositions grandiose or philosophical names, she simply enumerated them. It was almost a point of pride for her, like it was her signature or a language that she only she could understand. For example, she could remember #253 as the first piece she publicly played, #440 as her most experimental piece, and #35 as the backbone to many of her current and future works.
But the composition that rested atop the piano today was different. There was no name written anywhere on the faded and wrinkled sheet of paper. Lyrics and notes were scribbled, erased, and scribbled again. Through the beating and wearing the paper had taken, Mashiro could tell that it was a beloved piece that someone had poured their heart into. Yet none of her classmates would step forward to claim it. With a name, Mashiro had to turn to another solution:
Play the song.
All composers have a certain hallmark, even though the songs they compose may vary wildly. Surely, whoever had written this song would have etched into it her own signature into it, and Mashiro hoped she would be able to recognize it and compare it to the various styles her classmates wore. But as with the way she enumerated her own songs, the worn paper with its faded and smudged symbols might as well have been written in another language entirely. On another sheet of paper, Mashiro tried her best to translate and transcribe it.
Soon enough, Mashiro was able to parse out a melody and set her score beside the original. As she mentally played the melody in her mind, there was something that seemed to bother her. The song was clearly incomplete, that much she already knew, but it was difficult to grasp in what way. Nor could she get an idea on who wrote it in the first place.
Gingerly, Mashiro set her pale and slender fingers on the keys of the grand piano. The summer sun gave Mashiro ample lighting, bathing the secluded 3rd Floor classroom a brilliant orange glow. At first the piano was faint and fragile as Mashiro did a quick pass through to get an overview of the song before playing it in earnest. Once more a melody drifted out invitingly into the hallways as the Ghost of the 3rd Floor Storeroom resumed her concert.
But the composition that rested atop the piano today was different. There was no name written anywhere on the faded and wrinkled sheet of paper. Lyrics and notes were scribbled, erased, and scribbled again. Through the beating and wearing the paper had taken, Mashiro could tell that it was a beloved piece that someone had poured their heart into. Yet none of her classmates would step forward to claim it. With a name, Mashiro had to turn to another solution:
Play the song.
All composers have a certain hallmark, even though the songs they compose may vary wildly. Surely, whoever had written this song would have etched into it her own signature into it, and Mashiro hoped she would be able to recognize it and compare it to the various styles her classmates wore. But as with the way she enumerated her own songs, the worn paper with its faded and smudged symbols might as well have been written in another language entirely. On another sheet of paper, Mashiro tried her best to translate and transcribe it.
Soon enough, Mashiro was able to parse out a melody and set her score beside the original. As she mentally played the melody in her mind, there was something that seemed to bother her. The song was clearly incomplete, that much she already knew, but it was difficult to grasp in what way. Nor could she get an idea on who wrote it in the first place.
Gingerly, Mashiro set her pale and slender fingers on the keys of the grand piano. The summer sun gave Mashiro ample lighting, bathing the secluded 3rd Floor classroom a brilliant orange glow. At first the piano was faint and fragile as Mashiro did a quick pass through to get an overview of the song before playing it in earnest. Once more a melody drifted out invitingly into the hallways as the Ghost of the 3rd Floor Storeroom resumed her concert.
[ Mi-Yun Seonu | 401 | ♫MUSIC | NOTES ]